Chronotope Intra Venus Eau De Parfum

You encounter bursts of piercing wasabi and mastic, woven with fresh blue hyacinth, lush jasmine, and subtle yarrow—crafted into vivid, almost tactile layers rich with emotion and photorealistic clarity.

Wrapped in cool cypress and hinoki, these elements mingle in a way that feels as direct as a stolen glance, alive with both complexity and sincerity. There’s a cool, almost medicinal earthiness: wasabi and mastic join indelibly to shimmering petals and gentle woods, stirring up feelings of presence, defiance, and a quiet strength pulsing softly beneath each moment shared.

This experience is unisex, linear, and luminously clear, enveloping you with the emotive depth of an artist’s tribute—bright yet profoundly intricate, as if unveiling a story that’s always wanted to be told.

Notes: Ribes Mercaptan, Wasabi, Medicinal Notes, Needle Accord, Blue Yarrow, Cyclamen, Mastic, Mate Absolute, Blue Hyacinth Accord, Poison Bulb (Swamp Lily) Accord, Blue Cypress, Cedar Moss

Carter Weeks Maddox, the Founder, Perfumer, and Creative Director of Chronotope, traces his passion for fragrance back to a childhood steeped in scent. Surrounded by family members who wore legendary perfumes and raised amid the wild aromas of Northeast Texas’ Pineywoods—rich red clay, spring wildflowers, smoky barbecue pits, and even the occasional whiff of danger—he developed an early fascination with olfaction. While in college, Maddox began blending inexpensive essential oils as a creative outlet and a form of stress relief, a practice that evolved into experiments with higher-quality materials, synthetics, and eventually a collection of vintage perfumes. Though a trained writer, it was after walking a transformative pilgrimage through Spain that he realized scent, not words, was his truest medium of expression. This became the foundation of Chronotope, an independent perfume house launched in 2020, where Maddox channels personal memory, contradiction, and lived experience into fragrances that occupy what some describe as “their own olfactory universe.” Rejecting the commercialization of mass-produced perfumes, he embraces perfumery’s artistic roots, crafting scents meant not to move units, but to move people—unique, deeply personal, and emotionally resonant works of art in a bottle.